The Hip Room, 2012
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When I travel for work I
tend to stay in hotels designed for business travelers who aren’t trying to
break their clients’ travel budgets. This means I value cleanliness, comfort, a
congenial staff and good wi-fi and don’t go to many places that have swim-up
bars.
Over the last year,
though, circumstances have landed me in hipper hotels than usual. Many are
older hotels that went “boutique” (which used to be referred to as “European”
until the designers got hold of the concept and repositioned it as young,
urbane and hip).
I don’t have anything
against boutique hotels. Some are quite charming and strike a good balance
between authentic hip—e.g. young, urbane and edgy design—without completely
losing sight of the concepts of comfort, customer service and basic ergonomic
practicality. The Mercer, in New York, is extremely hip, but hasn’t lost sight
of why people stay in hotels. The Shangri-La, in Santa Monica, manages to combine
comfortable and stylish rooms and attentive customer service in a carefully updated
Art Deco building overlooking the Pacific Ocean. Despite a name that conjures
up images of illicit Hollywood affairs—and any number are said to have taken
place there—I could stay at the Shangri La for a while and be quite happy and
comfortable.
At the other end of the
spectrum, regular readers may remember how I was told, when I complained to thedesk clerk at one of New York’s Gansevoort hotels that the sink didn’t have a
stopper, “The designer didn’t like they way they look.”
The Soho Grand, too, is
famous for hiring models to do hotel jobs. They don’t care whether the models
have any qualification to do the jobs for which they’re being hired. What’s
important is that they look good and impart a stylishly insouciant attitude.
I can live with all of
these attitudes. You expect it in style-centric cities. Besides, attractive
models aren’t hard on the eyes when you’ve been stuffed into a window seat in
Row 56 for a few hours on a plane.
What bugs me, though, is
the proliferation of self-styled “boutique” hotels that have sprouted around
the edges of airports and interstate highway interchanges. I stayed in a place
like that last week in Dallas. It was built to resemble an old warehouse. The
interior floors are polished concrete. The walls are rough concrete. All of the
infrastructure—plumbing, wiring and HVAC—is exposed. The furniture is so
tragically fashion forward that it’ll be stylish for all of a week.
NyLo Dining, 2012
But as far as being hip
is concerned, it’s a fake. The “warehouse” is three years old. The wall panels
in the elevator that are supposed to look like a stainless steel-lined freight
elevator are instead made of plastic. My guest room was barely ten feet wide
and the bed’s headboard was so hard against the typical and decidedly
overworked suburban motel-style heating and cooling unit—a device with such a
bad compressor that it groaned like a dying buffalo—that I barely got any
sleep.
The place I stayed makes
no concession to urban life. It’s surrounded by a big suburban parking lot, for
crying out loud! How modern and hip is that?
Sometimes I think I’m
getting too old for this s--t. But I’m never too old to hear Tower of Power’s
mighty hit, “What is Hip?”
Too funny. I stayed in a hotel in Irvine, California that used to be a lima bean factory before it became a hotel. It was bizarre. Love your travel stories.
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