Overlook Porch, 2013
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I’ve always found it a little
strange to rent someone else’s house. It’s a vicarious adventure, whether you
look at it just from the standpoint of living in a different setting than you
normally live, or from the standpoint of living among the furnishings of
someone else’s life.
The Mid-Atlantic oceanfront is
dotted with houses built and furnished just for the rental market. They tend to
be conspicuously impersonal, with furnishings designed for durability rather
than comfort, and so universal in their features that anyone who rents will
know how to use the dishwasher.
We’ve rented places like this through
the years and I’ve always found them a little too impersonal and uncomfortable
for my taste. More and more they’re being designed for people who prefer air
conditioning to fresh air, indoor/outdoor swimming pools to the ocean that’s
just steps away and for people who simply must have home theater systems and
media rooms. There’s nothing wrong with these features, of course. They’re just
wasted on me. I place a high priority on a good book, a comfortable chair and a
screened porch where there’s a good breeze.
Side Table, 2013
To find this you frequently have
to find a rental that is actually someone’s home. The house we’ve rented in New
England in recent years belongs to a friend who only lives there during the
cold months when she can’t cruise the coast in her yacht. I know she removes a
lot of personal items from her house when it’s rented. But the basic furnishings
and art are what’s there year-round. So it’s like visiting Margaret, only
without Margaret being there.
A week ago we were in a rental
house in the Catskill Mountains that belongs to a well-known photographer of
rock musicians. It’s a comfortable house, very much a family house with
furnishings that reflect the owners’ tastes and the needs of their young
children. There’s even a little screened porch with a settee just long enough
for me to stretch out on and read if I don’t mind my feet hanging over the end. Like any good rental, there are notes from
the owners that include instructions for things that you might need help
figuring out and requests—like please don’t wear shoes in the bedroom that has
white carpet—that you’re happy to accommodate in return for staying in
someone’s personal retreat.
There aren't a lot of clues in the house to the owner's vocation. There's an absolutely
primo record collection, however, including many first pressings autographed by the
artists themselves. We never did figure out, though, why there’s a little jar in
the bathroom containing a pickled baby shark.
The Kitchen View, 2013
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