It's All About the Tattoo Art, 2013
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I broke one of my rules for these
pictures.
I’ll do a lot of things in the name of getting the picture I want. I’ll trespass. I’ll ask the subject to move into a better position. I’ll use Photoshop to clean up my mistakes.
But what I won’t do it pay someone on the street to let me take their picture.
I’ll do a lot of things in the name of getting the picture I want. I’ll trespass. I’ll ask the subject to move into a better position. I’ll use Photoshop to clean up my mistakes.
But what I won’t do it pay someone on the street to let me take their picture.
This is a practical matter. Once
you pay someone to sit for a street photograph, 1) everyone expects to be paid
and 2) you become a target for every beggar and ragamuffin.
There are more than enough interesting
looking people in the world to photograph. If someone insists on being paid for
a street photograph, I politely decline and move on until I find a more willing
subject.
Up until a week or so ago, this
rule of not paying had extended to not paying exorbitant tariffs to get into
places where I’d like to photograph people. I’ve paid, say, $5 or $10 to get
into an event where there was photographic potential. But that was it.
Then my friend the eminent
illustrator Walt Taylor insisted I go with him to a tattoo convention. Walt and
I sometimes wander around the local scene on Saturdays, me looking for things
to photograph and him looking for inspirations for illustrations.
I didn’t have anything against
going to a tattoo convention. People with tattoos can be intimidating to some
people. But they’re also among the easiest people to get to sit for
photographs. I thought there might be some interesting people at a tattoo
convention. Besides, Walt’s been threatening for several years to get a tattoo.
I thought this might be the day.
In This Man's Navy, 2013
What I didn’t reckon on was that
there’d be a $25 admission fee to get into the tattoo convention. But in the
name of friendship and photography, and after making sure they’d allow
photography, I went ahead and agreed to this inky excursion.
The convention center where the
event was held was a sea of booths containing lots of tattoo art and chairs and
tables where people could sit or lie down while a tattoo artist did his or her
work.
There’s a curious intersection
of themes in the tattoo art world I hadn’t anticipated. The fifties-style
pin-up girl look is big. So is anything steampunk. The real surprise, though,
was the number of exhibitors that had taxidermied animals in their displays. Can
someone explain this for me?
Framing the Art, 2013
In the end, I didn’t take as
many pictures as I’d hoped and wasn’t very pleased with what I did take. Walt, by the way, didn’t get a
tattoo, either. But he did buy a tattoo convention t-shirt. That might qualify you as hip in Norfolk. But from where I sit that doesn’t
count as real skin in the game.
Taxidermy and Tattoos, 2013
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